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Der diesjährige Jahrgang des Dokumentarfilmfestivals Nyon ragte mit 210 Titeln nicht nur in quantitativer Hinsicht, sondern auch qualitativ mit einer Reihe von Filmen heraus, die den Gemeinplatz bestätigten, dass das Leben selber die unglaublichsten Geschichten schreibt.
Darf man eine verweste Leiche filmen und diesen Anblick dem Kinopublikum zumuten? Darf man als wohlsituierter Europäer in einem marokkanischen Bergdorf, das weder Zufahrtsstrasse noch fliessendes Wasser, noch Strom hat, im tiefsten Winter Frauen und Kinder filmen, die sich ohne ausreichendes Schuhwerk und ohne Handschuhe durch meterhohe Schneemassen kämpfen und so Wasser, Brennholz und Futter für die Ziegen kilometerweit herschleppen müssen? Am diesjährigen Festival Visions du réel stellten sich Fragen nach dem im Dokumentarfilm ethisch vertretbar Zeigbaren in einigen Filmen mit grosser Dringlichkeit.