Shalom Allah

Aïcha, Johan and the Lo Mantos have taken a step in their lives that disturbs many around them. They have made the Muslim profession of faith: "I testify that there is no God but Allah and that Mohammed is his prophet". This is the beginning of their transformation. Aïcha moves from the province to the big city. The Lo Mantos try to assert themselves against the prejudices of their surroundings. And Johan? He wears a beard and flirts with his role as a devout Muslim. Or is filmmaker David Vogel just imagining things? What role does his own Jewish past play? The longer he accompanies his protagonists, the more he feels that he cannot ignore his own biography.