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(Printemps tardif)

Japan 1949 108'

Réalisation: Yasujiro Ozu
Scénario: Kazuo Hirotsu, Kôgo Noda, Yasujiro Ozu
Image: Yuuharu Atsuta
Décors: Tatsuo Hamada
Montage: Yoshiyasu Hamamura
Avec: Chishu Ryu, Setsuko Hara, Yumeji Tsukioka, Haruko Sugimura, Hohi Aoki, Kuniko Miyake


Yasujiro Ozu Japan 1949 108'

Twenty-seven-year-old Noriko lives with her widowed father, a university professor, in a small house in the tranquil surroundings of northern Kamakura. He is completing a scientific manuscript, aided by his assistant, Hattori. Professor Sonomiya is concerned for his daughter s welfare, and one day suggests she marry Hattori. Noriko only laughs at his suggestion because she is quite happy with her life and knows that Hattori is already engaged. Her aunt Masa, the professor s sister, is the next person to try out her matchmaking skills, and she talks Noriko into meeting Mr Satake. Although Noriko quite likes him, she rejects all thoughts of marriage because she doesn t want to leave her father all alone. When she meets Professor Onodera, an old friend of her father s, in a museum one day and he tells her that he has just remarried, Noriko can hardly disguise her dismay. One of Ozu's favorite themes is the opposing desires of and friction between members of a family even though they feel deep affection and loyalty to each other. Inevitably, these interactions within a family, and particularly the problems which arise between parents and children, will result in some sort of separation. For Noriko it is the separation of marriage, in other Ozu stories it may mean being employed away from home or death. While Ozu is saddened by these events, he also recognizes that they are unavoidable. This awareness of the inherent transience and sadness of human existence is what the Japanese call mono no aware."
Beverley Bare Buehrer, trigon-film