Das Fräulein

Streaming:
Pass:Das Fräulein (D)
540p,720p,1080p Schweizerdeutsch,Deutsch,Bosnian,Croatian,Serbian ST Deutsch
Pass:Das Fräulein (F)
540p,720p,1080p Schweizerdeutsch,Deutsch,Bosnian,Croatian,Serbian ST Français
Pass:Das Fräulein (E)
540p,720p,1080p Schweizerdeutsch,Deutsch,Bosnian,Croatian,Serbian ST English


View our films in streaming (flat rate):

artfilm.pass 1
for 1 day 5 CHF
artfilm.pass 30
for 30 days 12 CHF
artfilm.pass 365
for 365 days 80 CHF


Internet:
Website DAS FRÄULEIN

Look Now DAS FRÄULEIN

CINEMA Kritik DAS FRÄULEIN

Unofficial Sundance DAS FRÄULEIN

Cineuropa Making Of DAS FRÄULEIN

Cinematical review DAS FRÄULEIN

Indiewire: DAS FRÄULEIN Wins Top Prize at 12th Sarajevo Fest

Variety 10 directors to watch: Andrea Staka

art-tv: Siegerfilm Filmfestival Locarno DAS FRÄULEIN

Critic.de Kritik DAS FRÄULEIN

https://www.okofilm.ch

https://mubi.com/de/films/fraulein

SWISS FILMS


ISAN: 0000-0001-182F-0000-E-0000-0000-W

Goldener Leopard am Internationalen Filmfestival Locarno 2006
Heart of Sarajevo, Bester Film, Beste Schauspielerin 2006
Sundance 2007
Rotterdam 2007
Tribeca 2007
Schweizer Filmpreis 2007 - Bestes Drehbuch

Das Fräulein
CH 2006 81'

Director: Andrea Štaka
Script: Andrea Štaka, Barbara Albert, Marie Kreutzer
Camera: Igor Martinovic
Sound: Max Vornehm
Editing:: Gion-Reto Killias
Music:: Peter von Siebenthal, Till Wyler, Daniel Jakob
Production:: Susann Rüdlinger
World Sales: Okofilm Productions
With: Mirjana Karanovic, Marija Skaricic, Ljubica Jovic, Andrea Zogg, Pablo Aguilar, Zdenko Jelcic

Andrea Štaka 2006 81'

New HD version of Okofilm !

Ruza left Serbia, her country, over thirty years ago and lives in Zurich. Her daily life is a string of repetitive moments until, one day, Ana arrives on the scene and upsets Ruza's painstakingly organized world. A subtle friendship develops between the two strongwilled women.

"A Sundance alumnus with her short HOTEL BELGRAD, Andrea Staka returns with a stirring and mature debut feature. Marked by subtle characterizations and a wonderful contemplative tone, Staka's understanding of Reza and Ana is far too sophisticated to stall on superficial divisions. She's interested in watching them peel away each other's layers, revealing the world of complex emotions running below. Though Reza can't connect to life, she's strangely moved by Ana, while Ana's carefree demeanor belies the untold wounds she brings from Bosnia. Their gradual discovery of each other is, of course, a discovery of themselves."
Unofficial Sundance

"A deeply empathetic study of Balkan women from different regions and generations starting new lives in Zurich while trying to forget their past, with Kusturica regular Mirjana Karanovic giving the year's outstanding performance."
Michael Brooke, BFI



18.118.193.108