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Die Frau mit den 5 Elefanten
CH 2009 92'
Director: Vadim Jendreyko
Camera: Niels Bolbrinker, Stéphane Kuthy
Sound: Patrick Becker
Editing: Gisela Castronari-Jaensch
Music: Daniel Almada
Production: Mira Film
Keywords
Biographie
Locarno
Deutschland
Russland
Literatur
Dokumentarfilm
Propose keywords
Die Frau mit den 5 Elefanten
Vadim Jendreyko
Swiss Film Prize 2010: Best Documentary
A fascinating world of culture and humanity at the heart of which the literary text is essential. 5 “elephants” = 5 great books by Dostoyevsky.
The story of Swetlana Geier is exceptional
and Vadim Jendreyko delicately draws upon
its different threads to weave an account -
devoid of any oversimplification - , recounting
great misfortunes, coincidences, unexpected
luck and a passion for literature. Born
in 1923, in Kiev she was 16 when her father
died after being released from one of Stalin’s
camps, and 19 when 30,000 Jews were murdered
near Kiev by the SS commandos. In
1943, she fled to Germany. Her adventure
continued with decisive encounters as far as
her survival and her language training were
concerned, resulting in her becoming a skilled
translator and renowned literary academic in
the 50s.
By successive strokes, the film depicts
aspects of her memory (the archives reflect
the big picture she was a witness to) and settles
in the house where she lives and does
her literary work. She has been very busy
since 1992 with five “elephants”, that are
“Crime and Punishment”, “The Idiot”, “The
Possessed”, “The Raw Youth” and “The
Brothers Karamazov” by Fyodor Mikhaylovich
Dostoyevsky. Her translations from Russian
to German are landmarks. In 2008, it was the
turn of “The Gambler” and a year later her
last Dostoyevsky, “The House of the Dead”.
The secret that Vadim Jendreyko comes close
to has to do with the fact that the translation
must reach into the heart of the book,
to where its inspiration takes its breath and
adopts its vision of the world. The threads of
a white table cloth are the metaphor of the
literary sentences to be woven into a unique
text, while remaining aware of the irreducible
imperfection of all translations.
While her son was in hospital dying and she
cooked for him, Swetlana Geier continued
with her work and greeted her proof-reader
whose remarks showed great erudition and
special attention to the text and its emotion.
Their exchanges were classics of the genre.
At the heart of DIE FRAU MIT DEN FÜNF ELEFANTEN, there is the Text, which sheds
light on our humanity and of which the film
approaches an ineffable value in the wake
of the exceptional presence of Swetlana
Geier.
Jean Perret, Visions du Réel 2009
Vadim Jendreyko
2009 DIE FRAU MIT DEN 5 ELEFANTEN
Fribourg, Vevey, Winterthur, Zürich
2004 LEISTUNG AM LIMIT
2003 TRANSIT: ZÜRICH FLUGHAFEN
2000 BASHKIM
1998 KORK
1996 URALT UND DOCH MODERN: BAUEN MIT LEHM
1995 PRIMA MATERIA
1993 PROLOG
1992 AUF DEM WEG DURCHS EXIL
1989 DER KOFFER
1988 INNENRÄUME
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